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Artist presentation

Jagoda Malanin

Jagoda Malanin is a visual artist and photographer working across photography and objects. Her practice examines what is under the skin and survival. In 2026, her series "Janet wants a yellow mango" received the Fresh Eyes Talent 2026 distinction and was part of publication by GUP Magazine ( cur. Linda Zhengova), Ephemere Tokyo (cur. Anne Murayama), and Embryo Platform. She participated in group exhibition Love (Marina Abramovic, Roger Ballen and others) (Bastille Design Center, Paris) by Art Icon. In 2023, her series Cryogenia took 3rd place in the still life category, professional, at the Sony World Photography Award. She holds degrees from the Academy of Fine Arts in Wrocław and in Hispanic Studies from the Jagiellonian University in Cracow, Poland, and has trained through Sputnik Photos Mentoring Program, Image Threads, and the Nikon-NOOR Academy in Warsaw, where she was mentored by Andrea Bruce. She is a 2025 fellow of the "Networks" program, run jointly by the Adam Mickiewicz Institute and Poland's Ministry of Culture and National Heritage. Malanin is a member of the collective Hydroza, which she co-founded, and is the author of the photobook Memoir Found in a Bathtub. Her work has been published online in Abridged, and Membrana, and has been exhibited in Poland, ex. (2025) Mine Eyes Bees Deceive" at CCA Ujazdowski Castle, Warsaw (curated by Kamila Bondar and Łukasz Rusznica) and abroad.

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Artist statement

Every summer for the past four years I’ve been building nests. I use whatever is lying around, and sometimes I make up a small healing rite to go with them. When I started I thought the work was about safe space, about hiding. Then I looked through the series and a lot of the nests looked more like traps. Do nest make you homesick, even for a home you never had? Maybe.

Wasps live in nests too, and so do vipers. In Poland people used to say that if you knocked down a swallow’s nest your cows would give bloody milk, so you left it alone. I don’t think nests are bad, at least not all of them. The same place can keep you safe and wear you down, and it can take years to notice which one it’s doing. The house where someone has dinner waiting is sometimes the house you can’t wait to leave. I can’t pull those apart, so in the photographs I don’t.

Byung-Chul Han writes about “nests of time”, the rituals where time stops rushing and lets you stay put for a while. That’s close to what I’d call home. You can build that together with other person. Phoenix alone builds a nest of cinnamon and myrrh, dies in it and comes back out.

The Karelian houses where I started this work are nests as well, just not mine. Though, here’s some freedom in that. When everything is settled and planned, you get to disrupt and look for a crack.

And there’s the glory of a Finnish summer over all of it. Tailorbirds stitch leaves together with their beaks to make a nest. Kauas pilvet karkaavat, the clouds go far away. First you lose something. Maybe later you gain it back.

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